Burke, Kenneth. 1945. “The Work of Regeneration.” The Kenyon Review 7.4:696-700.

Byatt, A. S. 1978. “Women Writers in America.” Harpers & Queen Int’l. July 1978:71.
____________ . 1966. “The Obsession with Amorphous Mankind: Marguerite Young’s Strange Bestseller.” Encounter 27:63-69.

Cohen, Lisa. 1994. “The Long Goodbye: Rediscovering Marguerite Young.” Village Voice Literary Supplement. October 1994:9-11.

Dudar, Helen. 1985. “Marguerite Young: A Literary Vocation.” The Wall Street Journal. 25 March 1985:20.

Dowling, David. O. 2019. “The Guru: Marguerite Young.” Chapter 5 in A Delicate Aggression: Savagery and Survival in the Iowa Writers’ Workshop. Yale University. 106-122.

Duncan, Erika. 1984. “Marguerite Young.” In Unless Soul Clap Its Hands, 3-16. NY: Schocken Books. Reprint of “The Literary Life and How It’s Lived: A Reminiscence with Marguerite Young.” Book Forum (1977) 3:426-35.

Durand, Régis. 1975. “La fabrique de la fiction: lecture du roman de Marguerite Young, Miss MacIntosh, My Darling.” Caliban 12:45-60. Series: Annales Universitae de Toulouse.

Edelstein, J. M. 1965. Review of Miss MacIntosh My Darling. The New Republic October 1965:28. See response by Ned O’Gorman in “The Dark Angel.”

Eichenlaub, Constance. 1998. “Aporias of Reception.” Chapter 4 of “The Practice of Inner Sense: Redirection in an Age of Negative Aesthetics.” Ph.D. dissertation, University of Washington, Seattle.

______________. Summer 2000. “Marguerite Young.” Review of Contemporary Fiction, Vol. XX, Dalkey Archive Press: 121-48.

Friedman, E.G. and Fuchs, M. Spring 2003. “A Conversation with Marguerite Young.” Review of Contemporary Fiction 23.1. Dalkey Archive Press. Reprint from Vol. 9.3 (1989).

Fuchs, Miriam, editor. 1994. Marguerite Young, Our Darling: Tributes and Essays. Normal, IL: Dalkey Archive Press.
____________ , and Friedman, E. G.,eds. 1989(1). Breaking the Sequence: Women’s Experimental Fiction. Princeton: Princeton University Press.
____________ . 1989(2). “Marguerite Young’s Miss MacIntosh My Darling: Liquescence as Form.” In Breaking the Sequence, 188-98.
____________ , and Friedman, E. G. 1989(3). “A Conversation with Marguerite Young.” Rev. of Contemporary Fiction 9:147-54.
____________ . 1989(4) . “Marguerite Young’s Utopias: ‘The Most Beautiful Music [They] Had Never Heard’.” Rev. of Contemporary Fiction 9:166-76.

Gardner, John. 1967. “An Invective Against Mere Fiction.” The Southern Review III.2:444-67.

Goyen, William. 1965. “A Fable of Illusion and Reality.” NY Times Book Review 12 Sept. 1965:5.

Hauser, Marianne. 1967. “The Crucial Flower.” Sewanne Review 75:731-40.

Ingalls, Jeremy. 1945(1). “Bishop Berkeley and the Whales.” Review of Moderate Fable in Poetry: A Magazine of Verse LXV.4:215-18.
____________ . 1945(2). Review of Angel in the Forest in Accent: A Quarterly of New Literature V.4:246-48.

Kellner, Bruce. Summer 2000. “Miss Young, My Darling: A Memoir.” Review of Contemporary Fiction, Vol. XX. Dalkey Archive Press.

Lebowitz, Martin. 1945. “Work of Art.” Review of Angel in the Forest. The Nation 160, 12 May 1945:547.

Lerman, Leo. 1965. Short article with excerpts from Miss MacIntosh, My Darling and the essay “Inviting the Muses.” Mademoiselle, Sept. 1965:192ff.

McEvilly, W. 1969. “The Philosopher without Answers: A Look at Metaphysics and Marguerite Young.” Studies in the Twentieth Century 3:73-81.

Neville, Susan. 1995. “Where the Landscape Moved Like Waves: An Interview with Marguerite Young.” Arts Indiana 17.3:20-23.

Newquist, Roy. 1967. “Marguerite Young.” In Conversations, 496-505. NY: Rand McNally & Co..

Nin, Anais. 1982. The Diary of Anais Nin, Volume 7. Gunther Stuhlmann, ed. NY: Harvest/Harcourt Brace & Co. See “Index” for references to Marguerite Young passim.
____________. 1976. The Diary of Anais Nin, Volume 6. Gunther Stuhlmann, ed. NY: Harvest/Harcourt Brace Jovanovich, Publishers. See “Index” for references to Marguerite Young passim.
____________. 1974. The Diary of Anais Nin, Volume 5. Gunther Stuhlmann, ed. NY: Harvest/Harcourt Brace Jovanovich, Publishers. See reference in the Spring of 1955, p. 237, to Nin’s first meeting with M.
Young through their mutual acquaintance, Lawrence Maxwell.
“The Issue of Marguerite Young.” Under the Sign of Pisces: Anaïs Nin and Her Circle. Fall, 1974, Vol. 5.4. Includes updates on projects, reviews, and four short essays: Erika Duncan, “The Shadows in Miss Macintosh My Darling.” Honey Rovit, “The Private and the Public Marguerite Young.” Charles Ruas, “Miss MacIntosh, My Darling: The Reading Experience.” Leslie B. Tanner, “The Teachings of Marguerite Young.”

O’Gorman, Ned. 1966. “The Dark Angel.” Review of Angel in the Forest in The New Republic 12 March 1966:25-27.

Ruas, Charles. 1999. Editor, Marguerite Young, Harp Song for a Radical: The Life and Times of Eugene Victor Debs. NY: Alfred A. Knopf.
____________. 1996. Essay about his friendship with Anais Nin and Marguerite Young. In Recollections of Anais Nin, ed. Benjamin Franklin V, 132-137. Athens: Ohio University Press.
____________. 1994. “Marguerite Young and the Epic Imagination.” In Marguerite Our Darling: Tributes and Essays, ed. Miriam Fuchs, 80-84. Normal, IL: Dalkey Archive Press.
____________. 1985. “Marguerite Young.” In Conversations with American Writers, 91-127. NY: Alfred A. Knopf. Interview explores her life, personality, her vision of the United States, and her ongoing work on the biography of Eugene Victor Debs.
____________. 1977. Interview with Marguerite Young in The Paris Review, 71:58-75.

Shaviro, Steve. 1990. “Lost Chords and Interrupted Births: Marguerite Young’s Exorbitant Vision.” Critique 31:213-22.
____________. 1989. “Exorbitance and Death: Marguerite Young’s Vision.” Rev. of Contemporary Fiction 9:191-197. Reprinted 1994 in Marguerite Our Darling, ed. M. Fuchs.

Staley, R. Eric. 1993. “No Landscape But The Soul’s: A Critical Study of the Work of Marguerite Young.” Ph.D. dissertation, Univ. of Missouri-Columbia.

Swallow, Alan, ed. 1944. American Writing 1943 . Boston: Bruce Humphries, Inc. Publishers. Includes “Winter Scene” and honor roll mention of 11 of Young’s 1942 poems published in the Southern Review, Poetry, Accent, Kenyon Review, American Prefaces.
____________. 1943. American Writing 1942. Boston: Bruce Humphries, Inc. Publishers. Young’s poem, “Summer Day,” published in the Kenyon Review, Summer, 1941 is included in Honor Roll.

Thompson, Heidi. 1996. “Young/Labyrinth,” in “Uroboros: Visions of the Androgyne (Virginia Woolf, Djuna Barnes, Marguerite Young, Alice Walker, Kathy Acker).” 237-91. Ph.D. dissertation, Univ. of Washington, Seattle.

Young, Marguerite. 1999(1). Harp Song for a Radical: The Life and Times of Eugene Victor Debs. New York: Alfred A. Knopf Publisher.
____________. 1999(2). “Black Widow.” Excerpt from Harp Song for a Radical. In Conjunctions 33.
____________. 1994(1). Inviting the Muses: Stories, Essays, Reviews. Normal, IL: Dalkey Archive Press.
____________. 1994(2). Angel in the Forest: A Fairy Tale of Two Utopias, 2nd edition. Normal IL: Dalkey Archive Press. First published in 1945 by Reynal and Hitchock.
____________. 1993. Miss MacIntosh, My Darling. Normal, IL: Dalkey Archive Press. First published in 1965 by Scribner’s.
____________. 1989. “From Prelude in the Golden Key: The Life and Times of Eugene Victor Debs.” Rev. of Contemporary Fiction 9:155-63.
____________. 1979. Miss MacIntosh, My Darling. NY: Harcourt Brace Jovanovich, Harvest Series.
____________. 1966(1). Miss MacIntosh, My Darling. London: Peter Owen.
____________. 1966(2). Angel in the Forest: A Fairy Tale of Two Utopias. London: Peter Owen.
____________. 1966(3). Angel in the Forest: A Fairy Tale of Two Utopias. New York: Scribners.
____________. 1965. Miss MacIntosh, My Darling. New York: Scribners.
____________. 1954. “No Old Maid’s Romance.” In Western Review 4, Vol. 18. 291-314.
____________. 1950(1). “The Doll People.” In Mademoiselle.
____________. 1950(2). “Horse Utopia.” In Flair.
____________. 1948(1). “Mr. Bonebreaker.” In Bazaar February Issue.
____________. 1948(2). “The Arctic Explorer at the Stock Exchange.” In Tiger’s Eye 6:1-13.
____________. 1947(1). In Poem in Tiger’s Eye 1:40-41.
____________. 1947(2). “Illusion is the Key: About our Elegantly Mental Young Writers and their Dealings with Illusion.” Vogue 15 January 1947:84-85, 134.
____________. 1945(1). Angel in the Forest: A Fairy Tale of Two Utopias. NY: Reynal and Hitchcock.
____________. 1945(2). “Of Deed, Love, Death.” Kenyon Review, Vol. VII, Winter:69-70.
____________. 1944(1). Moderate Fable. Cornwall, NY: Reynal & Hitchcock.
____________. 1944(2). “Old James.” In Kenyon Review VI (Winter):73-90. Reprinted in the 1944 O. Henry Memorial Award Prize Stories, eds. H. Brickell and M. Fuller. Garden City, NY: Doubleday, Doran & Company, Inc., 1944. pp. 234-50.
____________. 1944(3). “Winter Scene.” In American Writing 1943, ed. A. Swallow, 137. Poem also in Moderate Fable.
____________. 1943(1). Short Story “Dead Women.” In American Prefaces 8.3:243-48, eds. Paul Engle and Jean Garrigne. University of Iowa.
____________. 1943(2). “Noah’s Ark” In American Prefaces 8.4:308, eds. Paul Engle and Jean Garrigne. University of Iowa.
____________. 1942(1). Six poems in Southern Review, Spring:852-55. All six poems later included in Moderate Fable.
____________. 1942(2). “A Crystal Principle” and “Moderate Fable” in Kenyon Review IV (Autumn):358-60. Both poems included in Moderate Fable.
____________. 1940. “Ventriloquist: The Coffee Hour.” Poetry: A Magazine of Verse, 56:132-34. Poem is included in Moderate Fable.
____________. 1937(1). Prismatic Ground. NY: The Macmillan Co. Reviewed by Jessica Nelson North, Poetry: A Magazine of Verse, 51:109-11.
____________. 1937(2). Six poems in Poetry: A Magazine of Verse. 49:315-19. All six poems are included in Prismatic Ground.
____________. 1930. “Ballad-Loving,” “Lot’s Wife,” “A Girl’s Song,” “Recurring.” Poetry: A Magazine of Verse. 36:260-62. All four poems are later included in Prismatic Ground.